Broadcast and media systems technical operator

Key information

  1. Status: Approved for delivery (available for starts)
  2. Reference: ST0424
  3. Version: 1.2
  4. Level: 3
  5. Typical duration to gateway: 22 months
  6. Typical EPA period: 2 months
  7. Route: Creative and design
  8. Integration: None
  9. Maximum funding: £15000
  10. Date updated: 08/04/2025
  11. Approved for delivery: 7 June 2019
  12. Lars code: 460
  13. EQA provider: Ofqual
  14. Example progression routes:
  15. Review: this apprenticeship will be reviewed in accordance with our change request policy.
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Details of the occupational standard

Occupation summary

This occupation is found in the British and International broadcast and media industries, enabling the delivery of broadcast and media products, such as screen or audio programmes, internet streaming services, pay-per-view or downloadable content. Broadcast and media technical operators will typically work for media broadcasters, production companies, media and content streaming companies, broadcaster or media services suppliers, broadcast equipment suppliers or manufacturers. The broadcast and media systems companies and organisations vary in size and the number of employees they have, and are described as small, medium, or large companies. 

The broad purpose of the occupation is to operate equipment involved in programme making for any of the media outlets supported by their organisation. To do this successfully and professionally, there must be an understanding of workflow, equipment capabilities, and technical standards they are operating within. Equipment is complex, and they are often working within tight timescales, it is also necessary to be able to perform diagnostics in real-time and communicate with engineers, technicians or workflow experts to help solve problems and maintain service.

This occupation is found in the British and international broadcast and media industries, enabling the delivery of broadcast and media products such as screen or audio programmes, internet streaming services, pay-per-view content, or downloadable media. Broadcast and media technical operators typically work for media broadcasters, production companies, media and content streaming companies, broadcaster or media services suppliers, or broadcast equipment suppliers or manufacturers. The size of broadcast and media systems companies and organisations varies, with companies being classified as small, medium, or large based on the number of employees. 

The broad purpose of the occupation is to operate equipment involved in programme making for any media outlets supported by the organisation. To do this successfully and professionally, a solid understanding of workflow, equipment capabilities, and the technical standards they operate within is required. Equipment is often complex, and broadcast and media technical operators frequently work within tight timescales. It is also necessary to perform diagnostics in real time and communicate with engineers, technicians, or workflow experts to resolve issues and maintain service.

In their daily work, an employee in this occupation works collaboratively with broadcast technicians and engineers to restore and maintain service when it is interrupted. Their workplace may be a broadcast or operations centre, a screen or audio studio, an outside broadcast operation, at customer premises, or outdoors on transmission sites. They must ensure that working environments and areas are safe from hazards and that specific risks are identified and reported. Additionally, they need to ensure that the required equipment is safe to use both on-site and off-site.  They must also be aware of the environmental impact of their occupation and take steps to reduce their ’professional carbon footprint ‘.

Typically, they work within a team, reporting to the team or shift leader. Due to the nature of the role, this may include out of hours working or following irregular working patterns.

Typical job titles include:

Audio and visual operator Broadcast playout operator Livestream operator Multi-skilled technical operator Production specialist Production technology support Systems operator Technical operator Transmission operator

Occupation duties

Duty KSBs

Duty 1 Prepare and assemble the agreed technical set up for live or pre-recorded content including video and sound equipment, broadcast systems and networks.

K1 K2 K4

S1 S2 S11

Duty 2 Operate broadcast and media or transmission systems to play out or export media and data in line with specifications and approved procedures.

K3 K5

S3 S4

B2

Duty 3 Monitor channel outputs for quality and continuity of service ensuring adherence to specifications and guidelines.

K6 K7

S5 S6 S7

Duty 4 Maintain the workflow and security of file based assets.

K8 K9 K10 K11

S8 S9 S10 S11

B1

Duty 5 Support maintenance of systems and networks maintaining confidentiality and security protocols.

K12 K13

S12 S13

B1 B2 B4

Duty 6 Support service delivery to stakeholders to achieve the creative ambition of the production.

K14 K15 K16 K17 K18

S14

B1 B4 B5

Duty 7 Fault find and problem solve both independently and as part of a team.

K19 K20 K21 K22

S15 S16 S17

B5

Duty 8 Maintain health and safety and security on site.

K13 K23 K24

S18 S19 S20

B1 B2 B3 B4 B5

KSBs

Knowledge

K1: Industry standards, such as delivery protocols and recommendations for example Digital Production Partnership - DPP, European Broadcasting Union - EBU and Society of Motion Picture Television Engineers - SMPTE. Back to Duty

K2: The purpose, benefits, limitations and risks of specific equipment and software required for example microphones, cameras. Back to Duty

K3: Differences between cloud based and on premises systems. Back to Duty

K4: Principles of design and architecture of networks, such as streaming protocols, systems and connectivity. Back to Duty

K5: The regulatory environment of own organisation. How the broadcast media and streaming services operate within this. Back to Duty

K6: Potential variations from plans and schedules that might occur during system operation for example environmental changes, systems changes, locations, in the event of breaking news. Back to Duty

K7: The effects that the working environment can have on colour balance and lighting and sound. How to rectify. Back to Duty

K8: End-to-end broadcast workflow from production - studio- to distribution - home - and own role within this. Back to Duty

K9: Formats required for different transmission methods such as encoders, decoders, bit rates. Back to Duty

K10: Industry protocols for metadata in relation to file transfer such as timecode, schemas, DPP standards. Back to Duty

K11: How equipment and media systems are used as part of workflow within the organisation. Back to Duty

K12: Principles, protocols and processes for network maintenance, and the different types of maintenance, such as preventative, corrective and emergency repair. Back to Duty

K13: Safe systems including precautions of work and isolation for working on broadcast and network system areas such as antennas, high voltage, power boards, switchboards and uninterruptable power supplies. Back to Duty

K14: The impact of environmental sustainability and organisational processes relating to broadcasting and systems resources. Back to Duty

K15: The importance of the level of service agreed in relation to role, technical quality and delivery. Back to Duty

K16: Organisational systems for recording information including stakeholder requirements, process requirements, technical details, unique features and agreed changes. Back to Duty

K17: Techniques to identify and prioritise operational problems such as equipment failure Back to Duty

K18: The procedures for contacting the stakeholder’s department or organisation. Back to Duty

K19: The business continuity procedures for the organisation and the steps to follow to recover the service. Back to Duty

K20: Techniques to gather and analyse data regarding service operations to aid problem solving and incident management. Back to Duty

K21: Electrical engineering principles such as the use of an uninterruptable power supply (UPS) and systems earthing. Back to Duty

K22: Tools and techniques to use to identify and rectify the causes of faults in broadcast and media systems and equipment. Back to Duty

K23: Techniques to assess new and existing sites, event spaces- venues- for safety, operational and creative suitability. Back to Duty

K24: Organisational processes and procedures for ensuring physical and network security of data and systems. Back to Duty

Skills

S1: Agree the operational requirements and protocols relating to broadcast and media systems, software and equipment including who can use them. Back to Duty

S2: Connect broadcast and media systems and equipment to network systems. Back to Duty

S3: Use industry software, hardware and follow organisational processes and procedures to deliver workflow outputs. Back to Duty

S4: Check and confirm that broadcast operation complies with relevant regulations, standards, guidelines and procedures such as flashing images, loudness consistency. Back to Duty

S5: Check the quality of outputs of broadcast systems using subjective and objective assessments such as output picture and sound quality, comparison with industry standards and system specifications, data stream and signal path analysis. Back to Duty

S6: Monitor the operation of broadcast and media systems at required times. Back to Duty

S7: Inform relevant personnel of monitoring activities and outcomes. Back to Duty

S8: Apply techniques to ingest content, process, play out or export broadcast data or media. Back to Duty

S9: Check and confirm the content or data to be broadcast is in the required format for the broadcast method, job, and region. Back to Duty

S10: Play out or export media in line with technical requirements. Back to Duty

S11: Work in line with organisational processes and procedures to maintain the integrity and security of file-based media content to avoid hacking or theft of assets, reporting if there are any breaches. Back to Duty

S12: Record maintenance requirements in organisational systems for future use or corrective action. Back to Duty

S13: Follow sustainable practices in line with industry standard recommendations. Back to Duty

S14: Establish and agree clear terms of reference with stakeholders to assess if objectives have been met. Back to Duty

S15: Provide updates to technical and non-technical stakeholders adapting language to suit the audience. Back to Duty

S16: Apply incident management procedures, and report in line with organisational procedures. Back to Duty

S17: Recognise faults and follow procedures to rectify these or escalate within own level of responsibility. Back to Duty

S18: Comply with health and safety legislation and policies, including electrical safety procedures, reporting any health and incidents or hazards. Back to Duty

S19: Operate within specific safety precautions when working with broadcast equipment, software and systems. Back to Duty

S20: Maintain a secure working environment, in line with organisational policies, protect individuals, information and organisational assets. Back to Duty

Behaviours

B1: Works on own initiative, is proactive and inquisitive working to timelines; if mistakes are made take personal responsibility to address them. Back to Duty

B2: Takes the initiative and responsibility for own learning and development, working with and learning from peers. Keeps abreast of developments in emerging, contemporary and advanced broadcast technologies Back to Duty

B3: Maintain commercial confidentiality and professional practice at all times and in all settings. Back to Duty

B4: Works collaboratively with stakeholders and colleagues, developing strong working relationships to achieve common goals. Support an inclusive culture and treat colleagues and stakeholders with respect. Back to Duty

B5: Use initiative and innovation to respond to technical failures, problem solve and trouble shoot, providing solutions in time critical environments. Back to Duty

Qualifications

English and Maths

English and maths qualifications must be completed in line with the apprenticeship funding rules.

Professional recognition

This standard aligns with the following professional recognition:

  • Electrotechnical Certification Scheme (ECS) for a Broadcast and Media Technician gold card. ECS is the recognised personnel certification scheme for the electrotechnical industry.
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Version log

Version Change detail Earliest start date Latest start date
1.2 Occupational standard, end point assessment and funding band revised 08/04/2025 Not set
1.1 Funding band revised 13/01/2021 07/04/2025
1.0 Retired 07/06/2019 12/01/2021
Employers involved in creating the standard: ITV, BBC, Screenskills, JIB, ECS, Gravity Media, National Film and Television School, Blackpool University, Arqiva, Aim, Amazon

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