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Carrying out skilled work in the photographic industry utilising common photographic knowledge and skills.
This occupation is found in multiple sectors including government, scientific, crime, social, commercial, cultural heritage, media, journalism and advertising.
Photographic companies and studios vary in size and the number of employees they have, and are described as small, medium, or large companies. A large proportion of photographers are freelance or self-employed, operating their own studio or supplying multiple clients. They are to be found across England and the UK.
The output and remit of a Photographic studio is varied, and they will produce work for a range of clients across subject areas. Some studios may specialise in one subject area, e.g. wedding or portrait photography.
The broad purpose of the occupation is to work autonomously and with customers or clients collaborating with other departments as required to produce, manage and deliver photographic assets to meet agreed requirements.
In their daily work, an employee in this occupation interacts with clients, subjects, retouchers and other stakeholders involved in the production of images. They will set up and operate photographic equipment in a manner to obtain the best image in accordance with the customer/client brief.
They will need to be aware of the activities of their occupation which contribute to their “professional carbon footprint” and steps to reduce this.
This is a junior level role, and the line management and reporting structure of the team will vary according to the size of the employer, this could involve working to a supervisory photographer. Learners must be able to take direction and feedback, to create the photographic images required, according to the brief.
They can work in indoor studios as well as outside locations using digital or film cameras; producing stills or video imagery of a variety of subjects and objects for a wide range of uses. Photographers tend to work in digital formats with DSLR or mirrorless cameras. A very small number of specialist photographers may use analogue equipment with silver-based imaging but this is not mainstream. Photographers offering video imaging services to customers/clients is increasing. Use of associated technology such as drones is also becoming more common.
An employee in this occupation will be responsible for, carrying out skilled work in the photographic industry to generate, print or publish a photographic image. Some staff working in specialist areas will be responsible for processing and printing imagery from photographic films using non-digital equipment.
Upon successful completion of the apprenticeship, the individual may move into further and higher education, or secure employment or self-employment in the respective sector of the photographic industry they have worked in.
This is a summary of the key things that you – the apprentice and your employer need to know about your end-point assessment (EPA). You and your employer should read the EPA plan for the full details. It has information on assessment method requirements, roles and responsibilities, and re-sits and re-takes.
An EPA is an assessment at the end of your apprenticeship. It will assess you against the knowledge, skills, and behaviours (KSBs) in the occupational standard. Your training will cover the KSBs. The EPA is your opportunity to show an independent assessor how well you can carry out the occupation you have been trained for.
Your employer will choose an end-point assessment organisation (EPAO) to deliver the EPA. Your employer and training provider should tell you what to expect and how to prepare for your EPA.
The length of the training for this apprenticeship is typically 18 months. The EPA period is typically 3 months.
The overall grades available for this apprenticeship are:
The EPA gateway is when the EPAO checks and confirms that you have met any requirements required before you start the EPA. You will only enter the gateway when your employer says you are ready.
The gateway requirements for your EPA are:
A project with a photographic project
You will be asked to complete a Photographic project. The title and scope will be agreed with the EPAO at the gateway. As part of the project, you need to write a Photographic project and submit this to the EPAO. The Photographic project should be a maximum of 1500 (with a 10% tolerance).
You will have 8 weeks to complete the project and submit the Photographic project to the EPAO.
You need to prepare and give a presentation to an independent assessor. Your presentation slides and any supporting materials should be submitted at the same time as the project output. The presentation with questions will last at least 60 minutes. The independent assessor will ask at least 8 questions about the project and presentation.
Professional discussion underpinned by a portfolio of evidence
You will have a professional discussion with an independent assessor. It will last 60 minutes. They will ask you at least 10 questions. The questions will be about certain aspects of your occupation. You need to compile a portfolio of evidence before the EPA gateway. You can use it to help answer the questions.
You should speak to your employer if you have a query that relates to your job.
You should speak to your training provider if you have any questions about your training or EPA before it starts.
You should receive detailed information and support from the EPAO before the EPA starts. You should speak to them if you have any questions about your EPA once it has started.Reasonable adjustments
If you have a disability, a physical or mental health condition or other special considerations, you may be able to have a reasonable adjustment that takes this into account. You should speak to your employer, training provider and EPAO and ask them what support you can get. The EPAO will decide if an adjustment is appropriate.
This occupation is found in multiple sectors including government, scientific, crime, social, commercial, cultural heritage, media, journalism and advertising.
Photographic companies and studios vary in size and the number of employees they have, and are described as small, medium, or large companies. A large proportion of photographers are freelance or self-employed, operating their own studio or supplying multiple clients. They are to be found across England and the UK.
The output and remit of a Photographic studio is varied, and they will produce work for a range of clients across subject areas. Some studios may specialise in one subject area, e.g. wedding or portrait photography.
The broad purpose of the occupation is to work autonomously and with customers or clients collaborating with other departments as required to produce, manage and deliver photographic assets to meet agreed requirements.
In their daily work, an employee in this occupation interacts with clients, subjects, retouchers and other stakeholders involved in the production of images. They will set up and operate photographic equipment in a manner to obtain the best image in accordance with the customer/client brief.
They will need to be aware of the activities of their occupation which contribute to their “professional carbon footprint” and steps to reduce this.
This is a junior level role, and the line management and reporting structure of the team will vary according to the size of the employer, this could involve working to a supervisory photographer. Learners must be able to take direction and feedback, to create the photographic images required, according to the brief.
They can work in indoor studios as well as outside locations using digital or film cameras; producing stills or video imagery of a variety of subjects and objects for a wide range of uses. Photographers tend to work in digital formats with DSLR or mirrorless cameras. A very small number of specialist photographers may use analogue equipment with silver-based imaging but this is not mainstream. Photographers offering video imaging services to customers/clients is increasing. Use of associated technology such as drones is also becoming more common.
An employee in this occupation will be responsible for, carrying out skilled work in the photographic industry to generate, print or publish a photographic image. Some staff working in specialist areas will be responsible for processing and printing imagery from photographic films using non-digital equipment.
Upon successful completion of the apprenticeship, the individual may move into further and higher education, or secure employment or self-employment in the respective sector of the photographic industry they have worked in.
Duty | KSBs |
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Duty 1 Ensure work and professional practice complies with legal, regulatory and ethical codes, guidelines and principles. |
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Duty 2 Review your own professional practice and keep up-to-date with trends and technology. |
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Duty 3 Interpret a photographic brief, scope, evaluate and develop ideas for the images. |
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Duty 4 Work autonomously and with customers or clients collaborating with other departments as required to ensure that the photographic images are delivered to meet agreed requirements. |
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Duty 5 Set-up, operate and maintain current industry standard photographic equipment and software. |
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Duty 6 Produce photographic assets to meet the requirements of the brief. |
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Duty 7 Manage photographic assets through the workflow in line with organisational requirements for organising, storing and retrieving assets. |
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Duty 8 Edit and post produce photographic content to meet the requirements of the brief |
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Duty 9 Set up and/or follow photographic file management protocols, file and store data securely. |
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K1: Range of functions, roles and skills within photo imaging and employers and professional bodies representing the industry.
Back to Duty
K2: Approaches to and resources for maintaining up-to-date knowledge of existing and evolving technology, trends and platforms.
Back to Duty
K3: Own responsibilities towards health and safety and how to recognise and address environmental hazards in their workplace.
Back to Duty
K4: Legislation, regulations and guidance for the photo imaging industry including copyright and intellectual property, GDPR, model release and photography of children.
Back to Duty
K5: Insurance requirements including professional indemnity and public liability.
Back to Duty
K6: Camera settings and the relationship between; aperture, shutter speed and ISO.
Back to Duty
K7: How to interpret a photographic brief prior to a shoot including client/colleague engagement.
Back to Duty
K8: Potential factors that can affect what can be achieved upon receiving the brief including aesthetics, own personal style, legal and ethical matters.
Back to Duty
K9: Resource requirements including budget, time, suppliers, technical specifications and sustainability considerations.
Back to Duty
K10: Own business or organisation’s strategy and objectives, the business environment and business issues related to photographic projects and customer needs.
Back to Duty
K11: How and when to work independently or interact within a team, understanding own role within the organisation.
Back to Duty
K12: Importance of communications and customer/client service to the organisation, including how to handle enquiries, comments and complaints.
Back to Duty
K13: How to safely set up, operate and store photographic equipment in different environments and situations.
Back to Duty
K14: Causes of common faults/issues in photographic equipment, fault- finding, the maintenance and fixing of faults and knowing when to escalate an issue.
Back to Duty
K15: Principles of light including using available light combinations (e.g., daylight, free- standing lights and camera mounted flash), lenses and exposure.
Back to Duty
K16: Principles of composition such as rule of thirds, leading lines and symmetry.
Back to Duty
K17: End-to-end photographic workflow and planning process, the key stages including postproduction and own role and responsibilities within this.
Back to Duty
K18: Importance of metadata and keywording in allowing for the search and proper identifications of stored images and how to enter key metadata to store specific information in photo editing software in the workplace.
Back to Duty
K19: Range of available industry-standard software relevant to image retouching and how to use it.
Back to Duty
K20: Colour management – the reasons for, and use of, colour profiles and the calibration of monitors for printing purposes.
Back to Duty
K21: How to manage different formats, including the digitisation of historic images and how to convert file formats, selecting the most appropriate file format and the significance of lossy or lossless compression.
Back to Duty
K22: Concepts and techniques of video editing required to construct video sequences and edit points to tell a story using industry-standard editing systems.
Back to Duty
K23: How to make sure the imaging system is secure, free from viruses and password protected.
Back to Duty
K24: Own organisation’s procedures relating to sending and receiving material in the format to meet the customer/client brief.
Back to Duty
S1: Comply with legislation, regulations and guidance including copyright and health & safety.
Back to Duty
S2: Provide necessary permissions for use of images and issue licenses for own work as required.
Back to Duty
S3: Use reliable information to keep up-to-date with the new tools, equipment, and other related technology, and how they affect own work.
Back to Duty
S4: Discuss with the customer/client the purpose of the work, objectives, the deadline, budget and amount of flexibility in meeting the brief.
Back to Duty
S5: Use the information gathered from the customer/client to review, evaluate and select the preferred approach to the work.
Back to Duty
S6: Prepare and present the possible approaches to the brief to the client/customer.
Back to Duty
S7: Identify and mitigate health and safety issues likely to arise from the brief.
Back to Duty
S8: Manage own workload and operate both individually and as part of a wider photographic team, keeping internal and external stakeholders updated on progress and reporting any issues arising.
Back to Duty
S9: Manage developing situations with customers/clients such as customer relations, complaints, dissatisfaction and business environment and know when to escalate these as required.
Back to Duty
S10: Select equipment and resources suitable for the task considering, the end purpose of the imagery, the location and existing light conditions.
Back to Duty
S11: Assemble and position equipment safely, checking for any issues and carrying out repairs as required.
Back to Duty
S12: Determine the camera settings and lighting arrangements to meet the task and adjust if required.
Back to Duty
S13: Take images that achieve the viewpoint, composition and point of focus.
Back to Duty
S14: Record, clearly and accurately, information required throughout workflow.
Back to Duty
S15: Embed copyright and other key metadata information in images in standard image file formats.
Back to Duty
S16: Assign keywords to classify images including by content, topic and concept.
Back to Duty
S17: Manage key metadata so it is preserved throughout the workflow to storage.
Back to Duty
S18: Export finished content or work-in-progress with metadata, from post-production systems to the customer/client.
Back to Duty
S19: Determine an agreed approach with the client/customer to be adopted for retouching the image(s) in line with their requirements.
Back to Duty
S20: Produce retouched images, check the quality of the retouched images against client requirements and workplace standards.
Back to Duty
S21: Follow protocol to save the retouched image files in the correct format ready for outputting or storage.
Back to Duty
S22: Implement workplace security procedures to check the system security, virus protection and file security.
Back to Duty
S23: Diagnose any problems in the imaging system using problem solving techniques.
Back to Duty
S24: Review and implement procedures in place to maintain a history of all image files.
Back to Duty
S25: Undertake continuing professional development within the role, reflecting systematically on progress and identifying opportunities for meaningful improvement.
Back to Duty
B1: Works collaboratively to build and maintain positive relationships with colleagues, customers/clients and suppliers.
Back to Duty
B2: Takes ownership of work, with a strong work ethic and commitment to achieving high standards.
Back to Duty
B3: Committed to keeping up to date with new technologies, including viable sustainability solutions, and industry best practice. Resourceful in finding creative solutions to solve problems.
Back to Duty
B4: Works in a professional and ethical manner, embracing equality, diversity and inclusion in the workplace.
Back to Duty
B5: Reflective. Considers the results of the images or videography created and identifies areas for improvement or re-use.
Back to Duty
Apprentices without level 2 English and maths will need to achieve this level prior to taking the End-Point Assessment. For those with an education, health and care plan or a legacy statement, the apprenticeship’s English and maths minimum requirement is Entry Level 3. A British Sign Language (BSL) qualification is an alternative to the English qualification for those whose primary language is BSL.
V1.0
This document explains the requirements for end-point assessment (EPA) for the photographer apprenticeship. End-point assessment organisations (EPAOs) must follow this when designing and delivering the EPA.
Photographer apprentices, their employers and training providers should read this document.
An approved EPAO must conduct the EPA for this apprenticeship. Employers must select an approved EPAO from the Education and Skills Funding Agency’s Register of end-point assessment organisations (RoEPAO).
A full-time apprentice typically spends 18 months on-programme (this means in training before the gateway) working towards competence as a photographer. All apprentices must spend at least 12 months on-programme. All apprentices must complete the required amount of off-the-job training specified by the apprenticeship funding rules.
This EPA has 2 assessment methods.
The grades available for each assessment method are:
Assessment method 1 - photographic project:
Assessment method 2 - professional discussion:
The result from each assessment method is combined to decide the overall apprenticeship grade. The following grades are available for the apprenticeship:
On-programme - typically 18 months
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The apprentice must complete training to develop the knowledge, skills and behaviours (KSBs) of the occupational standard. The apprentice must complete training towards English and maths qualifications in line with the apprenticeship funding rules. The apprentice must compile a portfolio of evidence. |
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End-point assessment gateway
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The employer must be content that the apprentice is working at or above the occupational standard. The apprentice’s employer must confirm that they think the apprentice:
The apprentice must have achieved English and maths qualifications in line with the apprenticeship funding rules. For the professional discussion the apprentice must submit a portfolio of evidence. The apprentice must submit any policies and procedures as requested by the EPAO. |
End-point assessment - typically 3 months
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Grades available for each assessment method: Photographic project
Professional discussion
Overall EPA and apprenticeship can be graded:
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The EPA is taken in the EPA period. The EPA period starts when the EPAO confirms the gateway requirements have been met and is typically 3 months.
The EPAO should confirm the gateway requirements have been met and the EPA should start as quickly as possible.
The apprentice’s employer must be content that the apprentice has attained sufficient KSBs to complete the apprenticeship. The employer may take advice from the apprentice's training provider, but the employer must make the decision. The apprentice will then enter the gateway.
The apprentice must meet the gateway requirements before starting their EPA.
They must:
Portfolio of evidence requirements:
The apprentice must compile a portfolio of evidence during the on-programme period of the apprenticeship. It should only contain evidence related to the KSBs that will be assessed by this assessment method. It will typically contain 25 pieces of evidence including at least 20 images (each image would count as a single piece of evidence). Evidence must be mapped against the KSBs. Evidence may be used to demonstrate more than one KSB; a qualitative as opposed to quantitative approach is suggested.
Evidence sources may include:
This is not a definitive list; other evidence sources can be included.
The portfolio of evidence should not include reflective accounts or any methods of self-assessment. Any employer contributions should focus on direct observation of performance (for example, witness statements) rather than opinions. The evidence provided should be valid and attributable to the apprentice; the portfolio of evidence should contain a statement from the employer and apprentice confirming this.
The independent assessor should review the portfolio of evidence to prepare questions for the discussion. They are not required to provide feedback after this review.
The apprentice must submit the gateway evidence to their EPAO, including any organisation specific policies and procedures requested by the EPAO.
The assessment methods can be delivered in any order.
The result of one assessment method does not need to be known before starting the next.
A project involves the apprentice completing a significant and defined piece of work that has a real business application and benefit. The project must meet the needs of the employer’s business and be relevant to the apprentice’s occupation and apprenticeship.
This assessment method has 2 components:
project with a project output
presentation with questions and answers
Together, these components give the apprentice the opportunity to demonstrate the KSBs mapped to this assessment method. They are assessed by an independent assessor.
The apprentice must complete a project based on any of the following:
The output must be based on the customer or client brief.
To ensure the project allows the apprentice to meet the KSBs mapped to this assessment method to the highest available grade, the EPAO should sign-off the project’s title and scope at the gateway to confirm it is suitable. The EPAO must refer to the grading descriptors to ensure that projects are pitched appropriately.
The project output must be in the form of a photographic project.
The apprentice must start the project after the gateway. The employer should ensure the apprentice has the time and resources, within the project period, to plan and complete their project.
The apprentice may work as part of a team to complete the project, which could include internal colleagues or technical experts. The apprentice must however, complete their photographic project and presentation unaided and they must be reflective of their own role and contribution. The apprentice and their employer must confirm this when the photographic project and any presentation materials are submitted.
The photographic project must include at least:
The photographic project must have a word count of 1500 words. A tolerance of 15% above or below the word count is allowed at the apprentice's discretion. Appendices, references and diagrams are not included in this total. The apprentice must include mapping in an appendix, showing how the output evidences the KSBs mapped to this assessment method.
The apprentice must complete and submit the photographic project and presentation materials to the EPAO by the end of week 8 of the EPA period.
The presentation with questions must be structured to give the apprentice the opportunity to demonstrate the KSBs mapped to this assessment method to the highest available grade.
The apprentice must prepare and deliver a presentation to an independent assessor. After the presentation, the independent assessor must ask the apprentice questions about their photographic project and presentation.
The presentation should cover:
The presentation with questions must last 60 minutes. This will typically include a presentation of 15 minutes and questioning lasting 45 minutes. The independent assessor must use the full time available for questioning. The independent assessor can increase the time of the presentation and questioning by up to 10%. This time is to allow the apprentice to complete their last point or respond to a question if necessary.
The independent assessor must ask at least 8 questions. They must use the questions from the EPAO’s question bank or create their own questions in line with the EPAO’s training. Follow up questions are allowed where clarification is required.
The purpose of the independent assessor's questions is:
The apprentice must submit their presentation materials to the EPAO at the same time as the photographic project - by the end of week 8 of the EPA period. The apprentice must notify the EPAO, at that point, of any technical requirements for the presentation.
During the presentation, the apprentice must have access to:
The independent assessor must have at least 2 weeks to review the photographic project and any presentation materials, to allow them to prepare questions.
The apprentice must be given at least 7 days’ notice of the presentation with questions.
The independent assessor must make the grading decision. They must assess the project components holistically when deciding the grade.
The independent assessor must keep accurate records of the assessment. They must record:
The presentation with questions must take place in a suitable venue selected by the EPAO for example, the EPAO’s or employer’s premises. It should take place in a quiet room, free from distractions and influence.
The presentation with questions can be conducted by video conferencing. The EPAO must have processes in place to verify the identity of the apprentice and ensure the apprentice is not being aided.
The EPAO must develop a purpose-built assessment specification and question bank. It is recommended this is done in consultation with employers of this occupation. The EPAO should maintain the security and confidentiality of EPA materials when consulting with employers. The assessment specification and question bank must be reviewed at least once a year to ensure they remain fit-for-purpose.
The assessment specification must be relevant to the occupation and demonstrate how to assess the KSBs mapped to this assessment method. The EPAO must ensure that questions are refined and developed to a high standard. The questions must be unpredictable. A question bank of sufficient size will support this.
The EPAO must ensure that the apprentice has a different set of questions in the case of re-sits or re-takes.
EPAO must produce the following materials to support the project:
The EPAO must ensure that the EPA materials are subject to quality assurance procedures including standardisation and moderation.
In the professional discussion, an independent assessor and apprentice have a formal two-way conversation. It gives the apprentice the opportunity to demonstrate the KSBs mapped to this assessment method.
The apprentice can refer to and illustrate their answers with evidence from their portfolio of evidence.
This assessment method is being used because it provides a synoptic assessment of knowledge, skills and behaviours. It also helps to assess the apprentice's in-depth understanding of their work and covers aspects of the occupation that are difficult to observe and take place in restricted and confidential settings. This is a consistent assessment that applies across work settings in the industry. It is reflective of industry best practice for reporting orally on projects and justifying decisions taken. It also replicates the approach taken to reviewing candidate performance used in industry.
The professional discussion must be structured to give the apprentice the opportunity to demonstrate the KSBs mapped to this assessment method to the highest available grade.
An independent assessor must conduct and assess the professional discussion.
The purpose of the independent assessor's questions will be to authenticate evidence, experience and competence.
The portfolio will be reviewed by the Independent Assessor to enable them to select appropriate questions to ask during the professional discussion.
The apprentice must have access to their portfolio during the professional discussion.
The apprentice can refer to and illustrate their answers with examples from their portfolio, however the portfolio of evidence is not directly assessed.
The EPAO must give an apprentice 2 weeks' notice of the professional discussion.
The independent assessor must have at least 2 weeks to review the supporting documentation.
The apprentice must have access to their portfolio of evidence during the professional discussion.
The apprentice can refer to and illustrate their answers with evidence from their portfolio of evidence however, the portfolio of evidence is not directly assessed.
The professional discussion must last for 60 minutes. The independent assessor can increase the time of the professional discussion by up to 10%. This time is to allow the apprentice to respond to a question if necessary.
The independent assessor must ask at least 10 questions. The independent assessor must use the questions from the EPAO’s question bank or create their own questions in line with the EPAO’s training. Follow-up questions are allowed where clarification is required.
The independent assessor must make the grading decision.
The independent assessor must keep accurate records of the assessment. They must record:
The professional discussion must take place in a suitable venue selected by the EPAO for example, the EPAO’s or employer’s premises.
The professional discussion can be conducted by video conferencing. The EPAO must have processes in place to verify the identity of the apprentice and ensure the apprentice is not being aided.
The professional discussion should take place in a quiet room, free from distractions and influence.
The EPAO must develop a purpose-built assessment specification and question bank. It is recommended this is done in consultation with employers of this occupation. The EPAO should maintain the security and confidentiality of EPA materials when consulting with employers. The assessment specification and question bank must be reviewed at least once a year to ensure they remain fit-for-purpose.
The assessment specification must be relevant to the occupation and demonstrate how to assess the KSBs mapped to this assessment method. The EPAO must ensure that questions are refined and developed to a high standard. The questions must be unpredictable. A question bank of sufficient size will support this.
The EPAO must ensure that apprentice has a different set of questions in the case of re-sits or re-takes.
The EPAO must produce the following materials to support the professional discussion:
The EPAO must ensure that the EPA materials are subject to quality assurance procedures including standardisation and moderation.
Theme
KSBs
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Pass
Apprentices must demonstrate all the pass descriptors
|
Distinction
Apprentices must demonstrate all the pass descriptors and all of the distinction descriptors
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Interpreting a brief
K7 K8 S4 S5 S6 S7 B2 |
Explains how they have engaged with client/customer to understand the purpose of the work, objectives, the deadline, budget and amount of flexibility, and used this to select their preferred approach to the brief. K7, S4, S5 Takes ownership of work and presents possible approaches to the brief to the client/customer. S6, B2
Explains potential factors that can affect achievement of the brief alongside identifying and mitigating potential health and safety issues that may arise from the brief. K8 S7 |
Evaluates how potential issues with the brief could impact the final artefact. K7, S5 |
Technical aspects
K6 K15 K16 S10 S12 S13 S14 |
Applies principles of composition and camera settings to take images that achieve viewpoint and point of focus to meet the brief. K6, K16, S13
Selects equipment and resources suitable for the brief and uses the principles of light to determine and adjust camera settings to meet the brief. K15, S10, S12
Records all necessary information required throughout the workflow. S14 |
Explains the interrelationship between camera settings, focal length and composition. K6, K16, S13
Evaluates the camera settings and light arrangements for the artefact produced. K15, S12 |
Post production
K19 K22 S19 S20 S21 |
Uses software to implement agreed approach to retouching and checks quality of images against client requirements and workplace standards. Saves images in correct format K19, S19, S20, S21 Describes basic techniques of using industry standard systems to edit videos and create a video sequence to tell a story. K22 |
Justifies their approach to retouching images in line with the client requirements and workplace standards. (K19, S19, S20 |
Asset storage
K24 S2 S15 S16 S17 S18 S24 |
Manages the preservation of key metadata throughout the workflow to storage including embedding copyright and other key information and assigning keywords to classify images. S15, S16, S17
Exports finished content or work-in-progress with metadata from post-production systems to the customer/client in line with organisational procedures relating to sending and receiving material in the format to meet the brief. K24, S18,
Provides necessary permissions for use of images, issues licenses for own work. Reviews and implements procedures in place to maintain a history of image files. S2, S24 |
n/a |
Theme
KSBs
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Pass
Apprentices must demonstrate all the pass descriptors
|
Distinction
Apprentices must demonstrate all the pass descriptors and all of the distinction descriptors
|
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Industry awareness
K1 K10 |
Explains the range of functions, roles and skills within photo imaging, the wider business environment and own organisation and business issues related to photographic projects and customer needs. K1, K10 |
n/a |
Self management
K2 S3 S25 B3 |
Describes how they keep their knowledge of technology, trends and platforms up to date and how this impacts their work. K2, S3 Describes how they plan and undertake professional development to keep up to date with industry technologies, sustainable solutions and best practice in order to solve problems and make meaningful improvements in their role. S25, B3
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Justifies further personal development requirements. S25
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Legislation and regulation
K3 K4 K5 S1 |
Explains how they undertake all work in accordance with legislation, regulations and guidance including copyright, insurance and health & safety and how they recognise and address environmental hazards K3, K4, K5, S1 |
Evaluates the impact of not following legislation, regulations and guidance including copyright, insurance, environmental and health & safety requirements. K3, K4, K5 |
Working with others
K11 K12 S8 S9 B1 B4 |
Explains own role in the organisation and how they manage their workload, working both independently and as part of a wider team. Describes communicating with stakeholders including understanding and responding to instruction, being team focused and working well with others while knowing when to escalate developing situations. K11, S8, S9, B1 Explains the importance of communications with customer/client to the organisation and the professional and ethical approach required in customer services to promote equality, diversity, and inclusion. K12, B4 |
Evaluates how they independently manage their own workload and provide support to other team members. K11, S8, S9
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Using photographic equipment
K9 K13 K14 S11 |
Explains how they safely assemble and use photographic equipment factoring in resource requirements and suitability and how they would resolve and escalate any common faults. K9, K13, K14, S11 |
Evaluates the impact of incorrectly assembling and positioning of photographic equipment. K13, K14, S11 |
Editing
K17 K20 K21 S23 B5 |
Explains the end-to-end photographic and planning process including post production and their own role. Explains how they undertake colour management throughout the photographic workflow and planning process and identify areas for improvement. K17, K20, B5
Explains how they convert and manage file formats appropriately and diagnose and resolve problems in the imaging system. K21, S23 |
Evaluates how they have undertaken colour management throughout the photographic workflow and planning process and identifies areas for improvement. K17, K20 |
Asset storage
K18 K23 S22 |
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n/a |
Performance in the EPA determines the apprenticeship grade of:
An independent assessor must individually grade the: photographic project and professional discussion in line with this EPA plan.
The EPAO must combine the individual assessment method grades to determine the overall EPA grade.
If the apprentice fails one or more assessment methods, they will be awarded an overall fail.
To achieve an overall pass, the apprentice must achieve at least a pass in all the assessment methods. To achieve an overall EPA merit, the apprentice must achieve a distinction in one assessment method and a pass in the other. To achieve an overall EPA distinction, the apprentice must achieve a distinction in both assessment methods.
Grades from individual assessment methods must be combined in the following way to determine the grade of the EPA overall.
Photographic project | Professional discussion | Overall Grading |
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Pass | Pass | Pass |
Distinction | Pass | Merit |
Pass | Distinction | Merit |
Distinction | Distinction | Distinction |
Any grade | Fail | Fail |
Fail | Any grade | Fail |
If the apprentice fails one or more assessment methods they can take a re-sit or a re-take at their employer’s discretion. The apprentice’s employer needs to agree that a re-sit or re-take is appropriate. A re-sit does not need further learning, whereas a re-take does.
The apprentice should have a supportive action plan to prepare for a re-sit or a re-take.
The employer and EPAO agree the timescale for a re-sit or re-take. A re-sit is typically taken within 3 months of the EPA outcome notification. The timescale for a re-take is dependent on how much re-training is required and is typically taken within 4 months of the EPA outcome notification.
If the apprentice fails the project assessment method, they must to amend the project output in line with the independent assessor’s feedback. The apprentice will be given 8 weeks to rework and submit the amended other.
Failed assessment methods must be re-sat or re-taken within a 6-month period from the EPA outcome notification, otherwise the entire EPA will need to be re-sat or re-taken in full.
Re-sits and re-takes are not offered to an apprentice wishing to move from pass to a higher grade.
The apprentice will get a maximum EPA grade of pass for a re-sit or re-take, unless the EPAO determines there are exceptional circumstances.
Roles | Responsibilities |
---|---|
Apprentice |
As a minimum, the apprentice should:
|
Employer |
As a minimum, the apprentice's employer must:
Post-gateway, the employer must:
|
EPAO |
As a minimum, the EPAO must:
|
Independent assessor |
As a minimum, an independent assessor must:
|
Training provider |
As a minimum, the training provider must:
|
The EPAO must have reasonable adjustments arrangements for the EPA.
This should include:
Adjustments must maintain the validity, reliability and integrity of the EPA as outlined in this EPA plan.
Internal quality assurance refers to the strategies, policies and procedures that an EPAO must have in place to ensure valid, consistent and reliable EPA decisions.
EPAOs for this EPA must adhere to the requirements within the roles and responsibilities table.
They must also appoint independent assessors who:
the independent assessor needs to be a professional photographer currently working in industry.
Affordability of the EPA will be aided by using at least some of the following:
Professional body recognition is not relevant to this occupational apprenticeship.
Knowledge | Assessment methods |
---|---|
K1
Range of functions, roles and skills within photo imaging and employers and professional bodies representing the industry. Back to Grading |
Professional discussion |
K2
Approaches to and resources for maintaining up-to-date knowledge of existing and evolving technology, trends and platforms. Back to Grading |
Professional discussion |
K3
Own responsibilities towards health and safety and how to recognise and address environmental hazards in their workplace. Back to Grading |
Professional discussion |
K4
Legislation, regulations and guidance for the photo imaging industry including copyright and intellectual property, GDPR, model release and photography of children. Back to Grading |
Professional discussion |
K5
Insurance requirements including professional indemnity and public liability. Back to Grading |
Professional discussion |
K6
Camera settings and the relationship between; aperture, shutter speed and ISO. Back to Grading |
Photographic project |
K7
How to interpret a photographic brief prior to a shoot including client/colleague engagement. Back to Grading |
Photographic project |
K8
Potential factors that can affect what can be achieved upon receiving the brief including aesthetics, own personal style, legal and ethical matters. Back to Grading |
Photographic project |
K9
Resource requirements including budget, time, suppliers, technical specifications and sustainability considerations. Back to Grading |
Professional discussion |
K10
Own business or organisation’s strategy and objectives, the business environment and business issues related to photographic projects and customer needs. Back to Grading |
Professional discussion |
K11
How and when to work independently or interact within a team, understanding own role within the organisation. Back to Grading |
Professional discussion |
K12
Importance of communications and customer/client service to the organisation, including how to handle enquiries, comments and complaints. Back to Grading |
Professional discussion |
K13
How to safely set up, operate and store photographic equipment in different environments and situations. Back to Grading |
Professional discussion |
K14
Causes of common faults/issues in photographic equipment, fault- finding, the maintenance and fixing of faults and knowing when to escalate an issue. Back to Grading |
Professional discussion |
K15
Principles of light including using available light combinations (e.g., daylight, free- standing lights and camera mounted flash), lenses and exposure. Back to Grading |
Photographic project |
K16
Principles of composition such as rule of thirds, leading lines and symmetry. Back to Grading |
Photographic project |
K17
End-to-end photographic workflow and planning process, the key stages including postproduction and own role and responsibilities within this. Back to Grading |
Professional discussion |
K18
Importance of metadata and keywording in allowing for the search and proper identifications of stored images and how to enter key metadata to store specific information in photo editing software in the workplace. Back to Grading |
Professional discussion |
K19
Range of available industry-standard software relevant to image retouching and how to use it. Back to Grading |
Photographic project |
K20
Colour management – the reasons for, and use of, colour profiles and the calibration of monitors for printing purposes. Back to Grading |
Professional discussion |
K21
How to manage different formats, including the digitisation of historic images and how to convert file formats, selecting the most appropriate file format and the significance of lossy or lossless compression. Back to Grading |
Professional discussion |
K22
Concepts and techniques of video editing required to construct video sequences and edit points to tell a story using industry-standard editing systems. Back to Grading |
Photographic project |
K23
How to make sure the imaging system is secure, free from viruses and password protected. Back to Grading |
Professional discussion |
K24
Own organisation’s procedures relating to sending and receiving material in the format to meet the customer/client brief. Back to Grading |
Photographic project |
Skill | Assessment methods |
---|---|
S1
Comply with legislation, regulations and guidance including copyright and health & safety. Back to Grading |
Professional discussion |
S2
Provide necessary permissions for use of images and issue licenses for own work as required. Back to Grading |
Photographic project |
S3
Use reliable information to keep up-to-date with the new tools, equipment, and other related technology, and how they affect own work. Back to Grading |
Professional discussion |
S4
Discuss with the customer/client the purpose of the work, objectives, the deadline, budget and amount of flexibility in meeting the brief. Back to Grading |
Photographic project |
S5
Use the information gathered from the customer/client to review, evaluate and select the preferred approach to the work. Back to Grading |
Photographic project |
S6
Prepare and present the possible approaches to the brief to the client/customer. Back to Grading |
Photographic project |
S7
Identify and mitigate health and safety issues likely to arise from the brief. Back to Grading |
Photographic project |
S8
Manage own workload and operate both individually and as part of a wider photographic team, keeping internal and external stakeholders updated on progress and reporting any issues arising. Back to Grading |
Professional discussion |
S9
Manage developing situations with customers/clients such as customer relations, complaints, dissatisfaction and business environment and know when to escalate these as required. Back to Grading |
Professional discussion |
S10
Select equipment and resources suitable for the task considering, the end purpose of the imagery, the location and existing light conditions. Back to Grading |
Photographic project |
S11
Assemble and position equipment safely, checking for any issues and carrying out repairs as required. Back to Grading |
Professional discussion |
S12
Determine the camera settings and lighting arrangements to meet the task and adjust if required. Back to Grading |
Photographic project |
S13
Take images that achieve the viewpoint, composition and point of focus. Back to Grading |
Photographic project |
S14
Record, clearly and accurately, information required throughout workflow. Back to Grading |
Photographic project |
S15
Embed copyright and other key metadata information in images in standard image file formats. Back to Grading |
Photographic project |
S16
Assign keywords to classify images including by content, topic and concept. Back to Grading |
Photographic project |
S17
Manage key metadata so it is preserved throughout the workflow to storage. Back to Grading |
Photographic project |
S18
Export finished content or work-in-progress with metadata, from post-production systems to the customer/client. Back to Grading |
Photographic project |
S19
Determine an agreed approach with the client/customer to be adopted for retouching the image(s) in line with their requirements. Back to Grading |
Photographic project |
S20
Produce retouched images, check the quality of the retouched images against client requirements and workplace standards. Back to Grading |
Photographic project |
S21
Follow protocol to save the retouched image files in the correct format ready for outputting or storage. Back to Grading |
Photographic project |
S22
Implement workplace security procedures to check the system security, virus protection and file security. Back to Grading |
Professional discussion |
S23
Diagnose any problems in the imaging system using problem solving techniques. Back to Grading |
Professional discussion |
S24
Review and implement procedures in place to maintain a history of all image files. Back to Grading |
Photographic project |
S25
Undertake continuing professional development within the role, reflecting systematically on progress and identifying opportunities for meaningful improvement. Back to Grading |
Professional discussion |
Behaviour | Assessment methods |
---|---|
B1
Works collaboratively to build and maintain positive relationships with colleagues, customers/clients and suppliers. Back to Grading |
Professional discussion |
B2
Takes ownership of work, with a strong work ethic and commitment to achieving high standards. Back to Grading |
Photographic project |
B3
Committed to keeping up to date with new technologies, including viable sustainability solutions, and industry best practice. Resourceful in finding creative solutions to solve problems. Back to Grading |
Professional discussion |
B4
Works in a professional and ethical manner, embracing equality, diversity and inclusion in the workplace. Back to Grading |
Professional discussion |
B5
Reflective. Considers the results of the images or videography created and identifies areas for improvement or re-use. Back to Grading |
Professional discussion |
KSBS GROUPED BY THEME | Knowledge | Skills | Behaviour |
---|---|---|---|
Interpreting a brief
K7 K8 S4 S5 S6 S7 B2 |
How to interpret a photographic brief prior to a shoot including client/colleague engagement. (K7) Potential factors that can affect what can be achieved upon receiving the brief including aesthetics, own personal style, legal and ethical matters. (K8) |
Discuss with the customer/client the purpose of the work, objectives, the deadline, budget and amount of flexibility in meeting the brief. (S4) Use the information gathered from the customer/client to review, evaluate and select the preferred approach to the work. (S5) Prepare and present the possible approaches to the brief to the client/customer. (S6) Identify and mitigate health and safety issues likely to arise from the brief. (S7) |
Takes ownership of work, with a strong work ethic and commitment to achieving high standards. (B2) |
Technical aspects
K6 K15 K16 S10 S12 S13 S14 |
Camera settings and the relationship between; aperture, shutter speed and ISO. (K6) Principles of light including using available light combinations (e.g., daylight, free- standing lights and camera mounted flash), lenses and exposure. (K15) Principles of composition such as rule of thirds, leading lines and symmetry. (K16) |
Select equipment and resources suitable for the task considering, the end purpose of the imagery, the location and existing light conditions. (S10) Determine the camera settings and lighting arrangements to meet the task and adjust if required. (S12) Take images that achieve the viewpoint, composition and point of focus. (S13) Record, clearly and accurately, information required throughout workflow. (S14) |
None |
Post production
K19 K22 S19 S20 S21 |
Range of available industry-standard software relevant to image retouching and how to use it. (K19) Concepts and techniques of video editing required to construct video sequences and edit points to tell a story using industry-standard editing systems. (K22) |
Determine an agreed approach with the client/customer to be adopted for retouching the image(s) in line with their requirements. (S19) Produce retouched images, check the quality of the retouched images against client requirements and workplace standards. (S20) Follow protocol to save the retouched image files in the correct format ready for outputting or storage. (S21) |
None |
Asset storage
K24 S2 S15 S16 S17 S18 S24 |
Own organisation’s procedures relating to sending and receiving material in the format to meet the customer/client brief. (K24) |
Provide necessary permissions for use of images and issue licenses for own work as required. (S2) Embed copyright and other key metadata information in images in standard image file formats. (S15) Assign keywords to classify images including by content, topic and concept. (S16) Manage key metadata so it is preserved throughout the workflow to storage. (S17) Export finished content or work-in-progress with metadata, from post-production systems to the customer/client. (S18) Review and implement procedures in place to maintain a history of all image files. (S24) |
None |
KSBS GROUPED BY THEME | Knowledge | Skills | Behaviour |
---|---|---|---|
Industry awareness
K1 K10 |
Range of functions, roles and skills within photo imaging and employers and professional bodies representing the industry. (K1) Own business or organisation’s strategy and objectives, the business environment and business issues related to photographic projects and customer needs. (K10) |
None |
None |
Self management
K2 S3 S25 B3 |
Approaches to and resources for maintaining up-to-date knowledge of existing and evolving technology, trends and platforms. (K2) |
Use reliable information to keep up-to-date with the new tools, equipment, and other related technology, and how they affect own work. (S3) Undertake continuing professional development within the role, reflecting systematically on progress and identifying opportunities for meaningful improvement. (S25) |
Committed to keeping up to date with new technologies, including viable sustainability solutions, and industry best practice. Resourceful in finding creative solutions to solve problems. (B3) |
Legislation and regulation
K3 K4 K5 S1 |
Own responsibilities towards health and safety and how to recognise and address environmental hazards in their workplace. (K3) Legislation, regulations and guidance for the photo imaging industry including copyright and intellectual property, GDPR, model release and photography of children. (K4) Insurance requirements including professional indemnity and public liability. (K5) |
Comply with legislation, regulations and guidance including copyright and health & safety. (S1) |
None |
Working with others
K11 K12 S8 S9 B1 B4 |
How and when to work independently or interact within a team, understanding own role within the organisation. (K11) Importance of communications and customer/client service to the organisation, including how to handle enquiries, comments and complaints. (K12) |
Manage own workload and operate both individually and as part of a wider photographic team, keeping internal and external stakeholders updated on progress and reporting any issues arising. (S8) Manage developing situations with customers/clients such as customer relations, complaints, dissatisfaction and business environment and know when to escalate these as required. (S9) |
Works collaboratively to build and maintain positive relationships with colleagues, customers/clients and suppliers. (B1) Works in a professional and ethical manner, embracing equality, diversity and inclusion in the workplace. (B4) |
Using photographic equipment
K9 K13 K14 S11 |
Resource requirements including budget, time, suppliers, technical specifications and sustainability considerations. (K9) How to safely set up, operate and store photographic equipment in different environments and situations. (K13) Causes of common faults/issues in photographic equipment, fault- finding, the maintenance and fixing of faults and knowing when to escalate an issue. (K14) |
Assemble and position equipment safely, checking for any issues and carrying out repairs as required. (S11) |
None |
Editing
K17 K20 K21 S23 B5 |
End-to-end photographic workflow and planning process, the key stages including postproduction and own role and responsibilities within this. (K17) Colour management – the reasons for, and use of, colour profiles and the calibration of monitors for printing purposes. (K20) How to manage different formats, including the digitisation of historic images and how to convert file formats, selecting the most appropriate file format and the significance of lossy or lossless compression. (K21) |
Diagnose any problems in the imaging system using problem solving techniques. (S23) |
Reflective. Considers the results of the images or videography created and identifies areas for improvement or re-use. (B5) |
Asset storage
K18 K23 S22 |
Importance of metadata and keywording in allowing for the search and proper identifications of stored images and how to enter key metadata to store specific information in photo editing software in the workplace. (K18) How to make sure the imaging system is secure, free from viruses and password protected. (K23) |
Implement workplace security procedures to check the system security, virus protection and file security. (S22) |
None |
Version | Change detail | Earliest start date | Latest start date | Latest end date |
---|---|---|---|---|
1.1 | End-point assessment plan revised | 06/03/2024 | Not set | Not set |
1.0 | Approved for delivery | 29/08/2023 | 05/03/2024 | Not set |
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